| ML850.H35 |
STAGE FRIGHT: ITS CAUSES & CURES WITH ...REFERENCE TO VIOLIN |
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1 |
| KF1310.Z9H39 |
TORT LIABILITY AND THE MUSIC EDUCATOR |
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1 |
| ML410.C54H3 1962 |
CHOPIN |
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|
1 |
| ML200.5.H44 |
HISTORY OF MUSIC IN THE U.S. ARMED FORCES DURING WORLD WAR II |
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1 |
| ML2100.H45 2003 |
EMBLEMS OF ELOQUENCE: OPERA AND WOMEN'S VOICES IN 17TH CENTURY IT |
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|
1 |
| ML3820.H42 1954 |
ON THE SENSATIONS OF TONE AS A PHYSIOLOGICAL BASIS FOR THE THEORY |
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1 |
| ML420.H367A3 1998 |
MY GOLDEN AGE OF SINGING |
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1 |
| ML141.W3 N38 1996 |
RED, HOT & BLUE |
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1 |
| ML85.H37 1987 |
MUSICA MAXIMILIANA : DIE MUSIKGRAPHIKEN |
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1 |
| ML3561.J3H44 1975 |
JAZZ; NEW PERSPECTIVES ON THE HISTORY OF JAZZ |
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1 |
| MT728.H37 1962 |
ART OF STRING QUARTET PLAYING |
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1 |
| ML134.B4H38 |
VERZEICHNIS DER NICHT IN DER GESAMT.....BEETHOVENS |
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1 |
| MT35.H55 1987 |
NORTON MANUAL OF MUSIC NOTATION |
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|
1 |
| MT955.H53 |
MAKING OF AN OPERA: DON GIOVANNI AT GLYNDBOURNE |
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|
1 |
| ML650.H5313 1988 |
PIANOFORTE: A SOCIAL HISTORY OF THE PIANO |
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1 |
| MT125.H5 1949 |
SYMPHONY, THE |
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|
1 |
| MT125.H498 |
CONCERTO, THE |
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|
1 |
| MT125.H498 C. 2 |
CONCERTO, THE |
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|
1 |
| ML830.H46 |
VIOLIN-MAKERS OF THE GUARNERI FAMILY |
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1 |
| MT50.H658 1944 C. 3 |
TRADITIONAL HARMONY |
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|
1 |
| MT40.H5U64 V.2 |
CRAFT OF MUSICAL COMPOSITION V. 2 - EXERCISES IN 2-PART WRITING |
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|
1 |
| MT40.H523 |
CRAFT OF MUSICAL COMPOSITION V. 1 THEORY |
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1 |
| MT50.H658 1944 C. 4 |
TRADITIONAL HARMONY |
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|
1 |
| ML3800.H55 1961 |
COMPOSER'S WORLD |
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|
1 |
| MT50.H658 1944 |
TRADITIONAL HARMONY |
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|
1 |
| MT50.H658 1944 C. 2 |
TRADITIONAL HARMONY |
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|
1 |
| ML1460.H46 1982 |
GREAT SINGERS ON GREAT SINGING |
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1 |
| ML1506.H55 |
COMPOSER'S POINT OF VIEW: ESSAYS ON 20-CENTURY CHORAL MUSIC |
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1 |
| ML55.H53 |
ORCHESTRAL COMPOSER'S POINT OF VIEW |
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1 |
| ML128.P3 H5 1973 |
GUIDE TO THE PIANIST'S REPERTOIRE |
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1 |
