| MT35.G494 1996 C. 6 |
ESSENTIAL DICTIONARY OF MUSIC NOTATION |
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1 |
| M2.M94512 NO.15 |
SOLO SONATA, THE |
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1 |
| MT22.L4983 |
PIANO TECHNIQUE |
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1 |
| MT22.L4983 C. 2 |
PIANO TECHNIQUE |
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1 |
| MT22.L4983 C. 3 |
PIANO TECHNIQUE |
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1 |
| ML650.B64 |
BOOK OF THE PIANO |
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1 |
| ML700.G5 1972 |
FIVE CENTURIES OF KEYBOARD MUSIC: AN HISTORICAL SURVEY |
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1 |
| ML700.G5 1972 C. 2 |
FIVE CENTURYIES OF KEYBOARD MUSIC |
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1 |
| ML410.S93R515 1992 |
RICHARD STRAUSS: NEW PERSPECTIVES ON THE COMPOSER AND HIS WORKS |
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1 |
| ML128.E8G5 |
ETHNOMUSICOLOGY AND FOLK MUSIC: AN INTERNATIONAL BIBLIOGRAPHY |
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1 |
| MT100.S92G6 |
STRAUSS' SALOME: GUIDE TO THE OPERA |
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1 |
| PC2640.C3 |
CASSELL'S FRENCH DICTIONARY REFERENCE SHELF |
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1 |
| MT130.M8G62 1964 C. 2 |
MOZART AND HIS PIANO CONCERTOS |
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1 |
| MT130.M8G62 1964 |
MOZART AND HIS PIANO CONCERTOS |
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1 |
| MT955.G58 1984 |
TITO GOBBI ON HIS WORLD OF ITALIAN OPERA |
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1 |
| MT125.G64 1913 |
GREAT WORKS OF MUSIC: SYMPHONIES AND THEIR MEANING |
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1 |
| MT1.G648P8 |
PSYCHOLOGY OF MUSIC TEACHING |
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1 |
| ML3830.I71 V. 8 |
EXPERIMENTAL RESEARCH PSYCHOLOGY OF MUSIC V. 8 |
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1 |
| ML3830.I71 V. 7 |
EXPERIMENTAL RESEARCH IN THE PSYCHOLOGY OF MUSIC V. 7 |
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1 |
| ML3830.I71 V. 9 |
EXPERIMENTAL RESEARCH PSYCHOLOGY OF MUSIC V. 9 |
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1 |
| ML390.N45 1983 |
NEW GROVE MASTERS OF ITALIAN OPERA |
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1 |
| ML3838.G7 |
FROM BEETHOVEN TO SHOSTAKOVICH:PSYCHOLOGY OF THE COMPOSING PROCES |
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1 |
| MT1.G78 |
TEACHING MUSIC TO THE EXCEPTIONAL CHILD |
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1 |
| ML850.G73 1986 |
INNER GAME OF MUSIC |
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1 |
| MT85.G785 |
MODERN CONDUCTOR |
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1 |
| MT259.G7 |
ORCHESTRAL BOWINGS |
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|
1 |
| M2.A517 |
ANTHOLOGY OF EARLY RENAISSANCE MUSIC |
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1 |
| M1740.G83E4 1957 |
ELIZABETHAN SONG BOOK |
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1 |
| ML955.G7 1969B |
HORN; A COMPREHENSIVE GUIDE TO THE MODERN INSTRUMENT & ITS MUSIC |
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1 |
| ML410.B1G75 1965 |
BACH |
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1 |
