| ML3047.S83 |
SPANISH CATHEDRAL MUSIC IN THE GOLDEN AGE |
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1 |
| ML136.A1S8 |
RENAISSANCE AND BAROQUE MUSICAL SOURCES |
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1 |
| ML410.S858A5 |
STOCKHAUSEN ON MUSIC |
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1 |
| M2.M94512 NO. 36 |
PROGRAM MUSIC |
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1 |
| ML910 .C36 1999 |
CAMBRIDGE COMPANION TO THE CELLO |
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1 |
| ML410.B42 P47 |
PERFORMING BEETHOVEN |
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1 |
| ML410.S932A22 1962 |
IGOR STRAVINSKY: AN AUTOBIOGRAPHY |
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1 |
| M1520.S9P3 1967 C. 3 |
PETRUSHKA: NORTON CRITICAL SCORES |
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1 |
| M1520.S9P3 1967 C. 2 |
PETRUSHKA - NORTON CRITICAL SCORE ED. CHARLES HAMM |
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1 |
| ML410.S932A366 1947 |
POETICS OF MUSIC IN THE FORM OF SIX LESSONS |
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1 |
| M1520.S9P3 1967 |
PETROUCHKA - NORTON CRITICAL SCORE |
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1 |
| ML88.H56 |
PAUL HINDEMITH: TESTIMONYIN PICTURES |
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1 |
| ML160.S89 1965 V. 1 C. 2 |
SOURCE READINGS IN MUSIC HISTORY: V. 1 ANTIQUITY AND MIDDLE AGES |
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1 |
| ML160.S89 1965 V. 1 C. 1 |
SOURCE READINGS IN MUSIC HISTORY: V. 1 ANTIQUITY AND MIDDLE AGES |
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|
1 |
| ML160.S89 1950 |
SOURCE READINGS IN MUSIC HISTORY ...ANTIQUITY THROUGH ROMANTIC |
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|
1 |
| ML160.S89 1950 C. 2 |
SOURCE READINGS IN MUSIC HISTORY |
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1 |
| ML160.S89 1965 V. 4 |
SOURCE READINGS IN MUSIC HISTORY - CLASSICAL ERA |
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1 |
| ML160.S89 1965 V. 2 |
SOURCE READINGS IN MUSIC HISTORY - THE RENAISSANCE |
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|
1 |
| ML160.S89 1965 V. 5 |
SOURCE READINGS IN MUSIC HISTORY - ROMANTIC ERA |
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|
1 |
| PF3271.S85 |
FIVE HUNDRED ONE GERMAN VERBS FULLY CONJUGATED |
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|
1 |
| ML197.S88213 1970 |
TWENTIETH CENTURY MUSIC |
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1 |
| ML1950.S78 2000 |
ZARZUELA: SPANISH OPERETTA, AMERICAN STAGE |
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|
1 |
| MT145.B25S89 |
GUIDE TO BARTOK'S MIKROKOSMOS |
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1 |
| ML3822.S92 |
WAYS OF THE HAND |
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1 |
| ML410.B4S9 1961 |
BEETHOVEN: HIS SPIRITUAL DEVELOPMENT |
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1 |
| ML650.S84 1971 |
PIANOFORTE, THE |
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1 |
| ML128.M78586 1999 |
SHOW TUNES: THE SONGS, SHOWS, AND CAREERS OF BROADWAY |
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1 |
| MT1.S92 1983 |
NURTURED BY LOVE |
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1 |
| MT45.S95 |
POLYPHONIC COMPOSITION |
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1 |
| MT265.S99V5 |
VIOLINIST'S NOTEBOOK, A |
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1 |
