| ML402.S387G7 C. 2 |
GREAT CONDUCTORS, THE |
|
|
1 |
| ML397.S3 C. 2 |
GREAT PIANISTS FROM MOZART TO THE PRESENT |
|
|
1 |
| ML193.S38 2001 |
MUSIC OF THE BAROQUE |
|
|
1 |
| MT6.S38M82 2001 |
MUSIC OF THE BAROQUE: AN ANTHOLOGY |
|
|
1 |
| MT1.S414A3 |
AESTHETICS: DIMENSIONS FOR MUSIC EDUCATION |
|
|
1 |
| ML197.S33 |
CONTEMPORARY COMPOSERS ON CONTEMPORARY MUSIC |
|
|
1 |
| ML410.B1 S34 V. 1 1966 |
J. S. BACH, TRANS ERNEST NEWMAN |
|
|
1 |
| ML410.B1 S34 V. 2 1966 |
J. S. BACH - TRANS ERNEST NEWMAN V. 2 |
|
|
1 |
| ML410.L7S395 1966 |
MUSIC OF LISZT |
|
|
1 |
| ML3845.S398 |
IN SEARCH OF BEAUTY IN MUSIC |
|
|
1 |
| ML3830.S32P8 |
PSYCHOLOGY OF MUSIC |
|
|
1 |
| ML172.S4M9 |
MUSIC IN THE MEDIEVAL WORLD |
|
|
1 |
| ML172.S4M9 C. 2 |
MUSIC IN THE MEDIEVAL WORLD |
|
|
1 |
| ML172.S4M9 C. 3 |
MUSIC IN THE MEDIEVAL WORLD |
|
|
1 |
| ML410.M5 A28 1973 |
FELIX MENDELSSOHN: LETTERS |
|
|
1 |
| ML410.R12S4 1951 |
RACHMANINOFF |
|
|
1 |
| ML60.S5 1962 |
MUSICAL EXPERIENCE OF COMPOSER, PERFORMER, LISTENER |
|
|
1 |
| MT50.S487 C. 2 |
HARMONIC PRACTICE |
|
|
1 |
| MT50.S487 |
HARMONIC PRACTICE |
|
|
1 |
| ML418.P79S5 1988 |
MAUD POWELL: PIONEER AMERICAN VIOLINIST |
|
|
1 |
| M1740.S5E6 1959 |
ENGLISH FOLK SONGS |
|
|
1 |
| MT100.W25S5 1967 |
PERFECT WAGNERITE, THE |
|
|
1 |
| ML286.8.L5S36 |
HOW TO BECOME A MUSICAL CRITIC |
|
|
1 |
| ML286.8.L5S44 |
SHAW ON MUSIC |
|
|
1 |
| ML286.8L5S38 1950 |
LONDON MUSIC IN 1888-89 AS HEARD BY CORNO DI BASSETTO |
|
|
1 |
| ML286.8.L5S44 |
SHAW ON MUSIC ED. ERIC BENTLEY |
|
|
1 |
| ML3790.S5 1990 |
THIS BUSINESS OF MUSIC |
|
|
1 |
| ML410.S53A3 |
TESTIMONY: THE MEMOIRS OF DMITRI SHOSTAKOVICH |
|
|
1 |
| ML3838.S525P9 1968 |
PSYCHOLOGY OF MUSICAL ABILITY |
|
|
1 |
| ML55.S6 C. 1 |
MUSIC LOVER'S HANDBOOK |
|
|
1 |
