| PC2271.K378 |
FIVE HUNDRED ONE FRENCH VERBS FULLY CONJUGATED |
|
|
1 |
| MT70.K466T434 1952 |
TECHNIQUE OF ORCHESTRATION |
|
|
1 |
| ML100.K35 1985 |
OXFORD DICTIONARY OF MUSIC REFERENCE SHELF |
|
|
1 |
| ML410.F9654K5 |
WALTER FRYE AND THE CONTENANCE ANGLOISE |
|
|
1 |
| ML457.A98 1988 |
AUTHENTICITY AND EARLY MUSIC |
|
|
1 |
| MT145.B425K47 1979 C. 2 |
BEETHOVEN QUARTESTS, THE |
|
|
1 |
| ML3858.K4 |
OPERA AS DRAMA |
|
|
1 |
| ML60.K37 1994 |
WRITE ALL THESE DOWN: ESSAYS ON MUSIC |
|
|
1 |
| ML410.B4.K48 1983 |
NEW GROVE BEETHOVEN |
|
|
1 |
| MT145.B425K47 1979 |
BEETHOVEN QUARTETS, THE |
|
|
1 |
| ML102.J3N48 1988 V. 1 |
NEW GROVE DICTIONARY OF JAZZ VOL 1 A-K REFERENCE SHELF |
|
|
1 |
| ML102.J3N48 1988 V. 2 |
NEW GROVE DICTIONARY OF JAZZ VOL 2 L - Z REFERENCE SHELF |
|
|
1 |
| ML410.B4A182 |
BEETHOVEN: THE MAN AND THE ARTIST, AS REVEALED IN HIS OWN WORDS |
|
|
1 |
| MT145.M7K55 |
MOZART CHAMBER MUSIC |
|
|
1 |
| ML200.K55 1990 |
AMERICAN MUSIC: A PANORAMA |
|
|
1 |
| ML700.K47 |
SHORT HISTORY OF KEYBOARD MUSIC |
|
|
1 |
| ML410.S221K5 1968 |
DOMENICO SCARLATTI. |
|
|
1 |
| MT820.K753S5 1972 |
SINGING TECHNIQUE: HOW TO AVOID VOCAL TROUBLE |
|
|
1 |
| MT730.C72 1988 |
COMPLETE STRING GUIDE |
|
|
1 |
| ML1950.K56 1995 |
ZARZUELAS Y OPERETAS |
|
|
1 |
| MT95.K52 1987 |
DEFINITIVE KOBBE'S OPERA BOOK |
|
|
1 |
| MT95.K52 1976 |
NEW KOBBE'S COMPLETE OPERA BOOK (1976) |
|
|
1 |
| MT220.K73 |
ART OF PIANO PLAYING: A SCIENTIFIC APPROACH |
|
|
1 |
| ML429.K74A3 1993 |
QUEEN'S THROAT: OPERA, HOMOSEXUALITY, AND THE MYSTERY OF DESIRE |
|
|
1 |
| ML1700.K65 |
OPERA OMNIBUS |
|
|
1 |
| ML60.K8343 M8 |
MUSICAL LIFE |
|
|
1 |
| MT130.S34K6 |
DICHTERLIEBE BY ROBERT SCHUMANN. AN AUTHORITATIVE SCORE |
|
|
1 |
| ML410.G398W75 1997 |
WRITINGS ON GLASS: ESAYS, INTERVIEWS, CRITICISM |
|
|
1 |
| ML652.K67 1987 |
HARPSICHORD OWNER'S MANUAL |
|
|
1 |
| MT180.K7 |
LITURGICAL ORGAN PLAYING |
|
|
1 |
