| ML410.S3F573 C. 2 |
SCHUBERT'S SONGS: A BIOGRAPHICAL STUDY |
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1 |
| MT85.F542 |
SCORE READING: ORCHESTRATION |
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1 |
| BX4700.H5F54 1989 |
HILDEGARD OF BINGEN 1098-1179: A VISIONARY LIFE |
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|
1 |
| MT271.F517 |
VIOLIN FINGERING: ITS THEORY & PRACTICE |
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|
1 |
| ML418.F81A3 1957 |
MEMOIRS |
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|
1 |
| ML417.R79F7 |
ARTUR RUBINSTEIN: KING OF THE KEYBOARD |
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|
1 |
| MT6.F642I6 |
INTRODUCTION TO SCHENKERIAN ANALYSIS |
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|
1 |
| ML197.F7 |
CONTEMPORARY TONE-STRUCTURES |
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|
1 |
| ML3811.F66 |
STRUCTURE OF ATONAL MUSIC |
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1 |
| MT1.C815 1988 |
CRANE SYMPOSIUM: TOWARD AN UNDERSTANDING...TEACHING...PERFORMANCE |
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|
1 |
| MT1.C815 1988 C. 2 |
CRANE SYMPOSIUM: TOWARD AN UNDERSTANDING..TEACHING...PERFORMANCE |
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|
1 |
| MT92.H2F7 |
JOSEPH HAYDN: AN INTRODUCTION |
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1 |
| MT339.F7 |
ESSENTIALS OF BRASS PLAYING |
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|
1 |
| ML1080.F7M4 1964 |
METRONOME TECHNIQUES |
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|
1 |
| ML128.P3F7 1973 |
MUSIC FOR THE PIANO; A HANDBOOK OF CONCERT AND TEACHING MATERIAL |
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|
1 |
| ML128.P3F7 1973 C. 3 |
MUSIC FOR THE PIANO: A HANDBOOK OF CONCERT AND TEACHING MATERIAL |
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|
1 |
| ML134.M39F8 |
CHECKLIST OF VOCAL CHAMBER WORKS BY BENEDETTO MARCELLO |
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|
1 |
| ML240.3M8613 1994 |
MUSIC AND CULTURE IN EIGHTEENTH CENTURY EUROPE |
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|
1 |
| MT40.F83 1965 |
STUDY OF COUNTERPOINT FROM GRADUS AD PARNASSUM TRANS. A. MANN |
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|
1 |
| MT55.F89 1965 |
SUDY OF COUNTERPOINT FROM FUX'S GRADUS AD PARNASSUM, TRANS MANN |
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|
1 |
| ML420.C18G23 |
GREEK FIRE: STORY OF MARIA CALLAS AND ARISTOTL ONASSIS |
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1 |
| ML3795.G24 |
APPROACHES TO PUBLIC RELATIONS FOR THE MUSIC EDUCATOR |
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|
1 |
| MT860.G23 |
SOLESMES METHOD: ITS FUNDMENTAL PRINCIPLES |
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|
1 |
| PC4640.S48 |
SIMON & SCHUSTER'SINTERNATIONAL DICTIONARY SP/ENG REFERENCE SHELF |
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|
1 |
| ML156.4.O46G29 |
ILLUSTRATED ENCYCLOPEDIA OF RECORDED OPERA |
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|
1 |
| ML460.G22 1976 |
MUSICAL INSTRUMENTS IN COLOR |
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1 |
| MT338.G195R3 1977 |
REGOLA RUBERTINA VENICE 1542-43 - ENGLISH TRANS BY H. PETER |
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1 |
| ML410.C46G39 |
CARLOS CHAVEZ: VIDA Y OBRA |
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|
1 |
| MT85.G17566 |
CONDUCTING CHORAL MUSIC |
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1 |
| ML410.M23G37 |
MAHLER: THE MAN AND HIS MUSIC |
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1 |
