| ML128.B45 C3 1986 |
ANNOTATED CATALOG OF COMPOSERS OF AFRICAN ANCESTRY |
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|
1 |
| ML194.C23 2005 |
CAMBRIDGE HISTORY OF MUSIC IN THE SEVENTEENTH-CENTURY |
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|
1 |
| ML418.C4A35 |
JOYS AND SORROWS |
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|
1 |
| ML410.C34A25 |
MUSIC IN MY TIME: MEMOIRS ... CASELLA |
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|
1 |
| M2148.1.T72L42 C. 2 |
LIBER USUALIS |
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|
1 |
| M2149.R755 |
GRADUALE ROMANUM |
|
|
1 |
| M2148.9.R7580 |
OFFICIUM HEBDOMADAE SANCTAE |
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|
1 |
| M2148.1.T72L42 C. 1 |
LIBER USUALIS |
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|
1 |
| ML429.C497A3 |
MUSICAL CHAIRS |
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|
1 |
| ML410.C4177A3 1994 |
GOLDEN AGE OF MOVIE MUSICALS AND ME |
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|
1 |
| ML315.C4 1959 |
MUSIC OF SPAIN |
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|
1 |
| ML120.S7C47 1962 |
GUIDE TO THE MUSIC OF LATIN AMERICA |
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|
1 |
| ML315.C4 1959 C. 2 |
MUSIC OF SPAIN |
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|
1 |
| ML315.C4 1959 C. 3 |
MUSIC OF SPAIN |
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|
1 |
| ML3795.C43 |
MUSIC AT THE CROSSROADS |
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|
1 |
| ML60.C532 M9 |
MUSICAL THOUGHT: CHARLES ELIOT NORTON LECTURES1958-9 |
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1 |
| ML420.B1353C44 1997 |
CECILIA BARTOLI : THE PASSION OF SONG |
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|
1 |
| ML3760.C48 |
AFRICAN RHYTHM AND AFRICAN SENSIBILITY |
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|
1 |
| MT1.C537K6 |
KODALY METHOD: COMPREHENSIVE MUSIC EDUCATION FROM INFANT TO ADULT |
|
|
1 |
| ML390.C59 |
BIOGRAPHICAL DICTIONARY OF JAZZ |
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|
1 |
| ML106.U3C6 |
BIOGRAPHICAL DICTIONARY OF AMERICAN MUSIC |
|
|
1 |
| ML109.C548 |
PRONOUNCING DICTIONARY OF MUSICAL TERMS |
|
|
1 |
| CB411.C6 1969 |
EIGHTEENTH CENTURY: EUROPE ...AGE OF ENLIGHTENMENT |
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|
1 |
| ML128.V7C67 1960 V. 1 |
SINGER'S REPERTOIRE V. 1 SOPRANO |
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|
1 |
| MT883.C63 |
PHONETIC READINGS OF SONGS AND ARIAS REFERENCE SHELF |
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|
1 |
| ML54.6.W65 V.1 C.2 |
WORD-BY-WORD TRANSLATIONS OF SONGS & ARIAS V. 1 GERMAN & FRENCH |
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|
1 |
| ML54.6W65 V. 1 C. 3 |
WORD BY WORD TRANSLATIONS OF SONGS AND ARIAS V. 1 GERMAN & FRENCH |
|
|
1 |
| ML54.6W65 C. 3 |
WORD BY WORD TRANSLATIONS OF SONGS AND ARIAS PART 2 ITALIAN |
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|
1 |
| ML54.6.W65 C. 2 |
WORD BY WORD TRANSLATIONS OF SONGS AND ARIAS - ITALIAN |
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|
1 |
| ML128.V7C67 1960 V. 3 |
SINGER'S REPERTOIRE V. 3 TENOR |
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|
1 |
